“Resonare fibris” es un proyecto novedoso de difusión del Renacimiento musical español a través del diálogo con la creación actual, incluyendo el famoso texto fúnebre Versa est in luctum. Partiendo de la música de compositores como Tomás Luis de Victoria, Antonio de Cabezón o Alonso Lobo, el compositor Sergio Blardony establece un diálogo con el renacimiento español visto desde la perspectiva de nuestros días. La obra es un ciclo para piano y electrónica que además incluye textos de la poeta Pilar Martín Gila.

Monographic album dedicated to the keyboard music of Félix Máximo López (1742-1821), composer and organist of the Royal Chapel of the Royal Palace of Madrid, and one of the greatest representatives of Spanish classicism. Between the courtly and the popular, between sonatas and fandangos.

The three composers who make up this project – Dimitri Shostakovich, Karlheinz Stockhausen and György Ligeti – are, each due to their own life circumstances, survivors of the totalitarianisms that devastated Europe in the 1930s and 1940s. The selected works, written in a time interval of approximately a quarter of a century, are exemplary in terms of reflecting the aesthetic changes of their time. Shostakovich’s preludes are imbued with a late neoclassicism that the young people of Darmstadt like Stockhausen opposed, in an alleged tabula rasa after the horror of the war that took the postulates of the second Viennese school to the limit. In between, Ligeti opted for a third way clearly indebted to the Bartokian heritage. Jose Luis Besada

Tomás Marco deconstructs reality to recompose it and return it interpreted and transformed into a work of art, achieving what Hegel called “the sensible appearance of the idea”, that is, knowledge, which “puts man before” and makes art “a experience that transforms those who experience it” (Gadamer, Truth and Method) and that, unlike Nietzsche, for whom his time was not radically “his time”, places it philosophically in the time he has to live. Tomás Marco is a man of his time who cultivates, explores and scrutinizes with his gaze that is always critical and never free of an enriching desire. He fulfills what his time demands of him and, as a result, his work develops as one of the historical reasons of our time.

A recording vision of six Spanish composers of a new generation, all of them born between 1975 and 1988. Mario Carro, Héctor Parra, Alberto Carretero, Hermes Luaces, José Minguillón and Joan Magrané representatively show us the current compositional news, which proposes creative freedom Completely renovated in which the most different aesthetics coexist. This is the second recording by Mario Prisuelos for the Verso label, in which he shows us the enormous concern of the musician in current creation, whose commitment usually leads him to interpret and premiere works of our days, often dedicated to him, in venues. from all over the world.

A compilation of Spanish music from Antonio Soler, passing through the romanticism of Marcial del Adalid, the enormous music with Andalusian overtones of Albéniz, Granados or Falla, the very personal Mompou reaching the music of our days with works by Consuelo Díez, Tomás Marco or Daniel Stefani. A selection that shows us the evolution of the piano in Spanish composers, always linked to the different aesthetic and artistic currents of the time in which they lived.